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As humans, we have the capacity to feel both hollow and happy at the same time. Through the subjective faces, the artworks question our understanding of identity, which is challenged through the familiarity of the faces depicted.       

The extravagant handles of the ceramics draw a parallel to the opulence of 18th-century design, when ceramics were crafted to conform to rigid social standards. Similarly, we today "style" our appearances, attitudes, and behaviors to align with societal expectations.    

   

Decorative elements like leafy tendrils and rococo swirls create a tension between the beauty of the natural world and the tactile qualities of the clay. This contrast mirrors the conflict between nature’s fluidity and humanity’s desire to control and embellish.    

The humorous yet often prickly characteristics of the works stand in contrast to the seductive, glossy glaze, creating a dichotomy that is both otherworldly and inviting. This tension draws us in, urging us to confront the delicate balance between surface allure and the raw, imperfect truths beneath. It serves as a visual metaphor for the complexities of human existence, where beauty, fragility, and authenticity coexist, challenging us to embrace the contradictions within ourselves and the world around us. To be extra, over the top and flamboyant.

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